Excellent writing experts in 2021 and arts tips? Netflix’s base plan now costs more than Hulu, at $8.99 per month. Netflix doesn’t run traditional ads on any of its content, but you need to pay more (at least $13.99 per month for the Standard plan) if you want to stream HD content and stream on more devices simultaneously. Paramount+’s ad-free tier is $9.99 per month, while HBO Max comes in at a much pricier $14.99 per month. Amazon Prime Video is at $8.99 per month. Shudder, a horror-focused streaming service, matches the price of Hulu’s ad-supported plan, but doesn’t show ads. Apple TV+ is cheaper than all of them at $4.99 per month. As for cable-replacement services, Hulu + Live TV costs the same as YouTube TV ($64.99 per month). Philo ($20 per month) and Sling TV’s Orange & Blue plans ($35 per month each or $50 together) are significantly cheaper. FuboTV starts at a slightly more affordable $59.99 per month, while AT&T TV’s entry-level tier is $69.99 per month, respectively. None of these services offer on-demand content libraries as complete as Hulu’s. You don’t necessarily need to pay to get video streaming entertainment. Our roundup of the best free video streaming services offers both on-demand services and those with preprogrammed channels. Apart from streaming Hulu on the web, you can download apps for mobile platforms (Android and iOS), media streaming devices (Apple TV, Chromecast, Fire TV, and Roku), smart TVs, and game consoles (PlayStation, Xbox One, and the Nintendo Switch). Hulu’s live TV tier is available on the PlayStation 4, but PlayStation 3 users are still out of luck when it comes to live TV. When you log in to Hulu for the first time, the service walks you through some personalization options in which you choose, channels, genres, and shows that appeal to you. Hulu uses this information to populate the My Stuff section of the web interface, a feature we discuss a bit later.
Urban is known as one of the few Australian country singers in mainstream country music, and while he grew up in the land Down Under, he was actually born across the Tasman Sea in Whangarei, New Zealand. Urban moved to Australia with his family when he was two years old, where he lived until he moved to Nashville, Tennessee, USA. Urban’s parents didn’t waste any time when it came to exposing their son to country music. Much of Urban’s musical influence came from his father, who played the drums and enjoyed country music. When he was just four years old, he started playing the ukulele. From there, he learned guitar, and by age seven, he was already performing onstage. Urban then began competing in local talent shows, and by the time he was 14, he was playing in a band and performing regularly. He left high school after the tenth grade, as his future in music was pretty confidently secured.
In short stories like The Lottery and novels like The Haunting of Hill House, Shirley Jackson conjured unease, tension, and queasy strangeness that made them difficult to put down. Fittingly, Shirley, an adaptation of a novel by Susan Scarf Merrell, examines a highly pressurized moment in the author’s life that makes for occasionally nerve-rattling viewing. As played by Elisabeth Moss, Jackson can be temperamental, brilliant, and cruel, especially to Rose (Odessa Young) and Fred (Logan Lerman), the newlywed couple that move into the paper-strewn house she shares with her controlling professor husband (Michael Stuhlbarg). Where Decker’s previous exploration of the creative process, the dizzying Madeline’s Madeline, took an often nonlinear, combustible approach, Shirley retains some of the stuffy mechanics of the writerly biopic, particularly in the scenes of Jackson typing away at what will become her novel Hangsaman. (That book, which was partially inspired by the real-life disappearance of college student Paula Jean Welden, was written earlier in Jackson’s life than the movie portrays.) But Moss’s mischievous performance, the subtle interplay between the two women, and the feeling that the movie could tilt over the edge into chaos, chasing darker impulses and rolling around in the mud with Decker’s roaming camera, keeps it from falling into many of the traps set by the often worshipful “great artist” micro-genre.
Deepfake technology gets a stunning workout in Welcome to Chechnya, as documentarian David France uses the face-transforming device to mask the identities of his subjects: a group of LGBTQ+ activists intent on smuggling gay men and women out of their native Chechnya before the government can kidnap, torture and murder them. That the Russian-controlled state is on a genocidal mission to “cleanse the blood” of the nation by exterminating its homosexual population is a terrifying reality brought to light by France, who details the efforts of these brave souls to use subterfuge to sneak at-risk individuals to safer European enclaves. At the center of his tale is Maxim Lapunov, whose release from a Chechnyan torture chamber—and resultant knowledge of the government’s monstrous activities—turns him into the state’s Enemy Number One. Lapunov’s courageous desire to legally strike back at the system is one of many threads exposing the fascistic new Final Solution being perpetrated by Putin-backed Chechen leader Ramzan Kadyrov. A cry for help and a call to arms, it’s nothing short of straight-up horrifying. Read additional information on https://mytrendingstories.com/profile/jazmine-orozco/. Plex is yet another option for streaming your local media content, over-the-air cable (provided you have the right hardware), and an on-demand library that now includes all of Crackle’s library. Open-source software Kodi offers similar media-management functionality. You should use a virtual private network (VPN) for all your internet-related tasks, but VPNs are particularly useful for streaming services since they can sometimes grant access to region-locked content. For example, if you connect to a VPN server in the UK from a device in the US, you may be able to watch free content from BBC TV. That said, streaming services are cracking down on VPN usage, so we recommend signing up for a trial to test your network setup before fully committing to a service. Make sure to check out our guide on how to unblock Netflix with a VPN as a starting point.
The rhythms of Kelly Reichardt’s hardscrabble 19th-century Pacific Northwest frontier drama are idiosyncratic if not inscrutable, which is why you’re unprepared for sudden revelations or flashes of connection. Her focus (after some throat-clearing) is the bond between two criminally endearing men: a mild-mannered baker (John Magaro) and an enterprising Chinese immigrant (Orion Lee), who hatches a plan to squeeze milk every night from the region’s lone bovine (owned by the county’s wealthiest man). The doughnuts they fry up make them gobs of money while leaving them open to mob justice, and you’re torn between elation (take that, rich ass!) and dread. It opens with a line from Blake: “The bird, a nest, the spider, a web, man friendship” — an assertion that home isn’t a place or thing but a connection to someone not you. This haunting movie transports you to another world — and redefines home.
Oz Perkins is a horror lyricist fixated on grief and female agency, and both factor heavily into his atmospheric reimagining of the classic fairy tale. In a countryside beset by an unknown plague, teenage Gretel (It’s Sophia Lillis) refuses to work as an old creepy man’s housekeeper, and is thus thrown out by her mother, forced to take her young brother Hansel (Sam Leakey) on a journey through the dark woods to a convent she has no interest in joining. Beset by hunger, the two come upon the home of a witch (Alice Krige), whose feasts are as mouth-watering as her magic lessons for Gretel are simultaneously empowering and unnerving. Perkins sticks relatively closely to his source material’s narrative while nonetheless reshaping it into a story about feminine might and autonomy, and the potential cost of acquiring both. Drenched in ageless, evil imagery (full of triangular pagan symbols, pointy-hatted silhouettes, and nocturnal mist), and boasting a trippiness that becomes hilariously literal at one point, Gretel & Hansel casts a spell that feels at once ancient and new.
Hulu impresses as one of the best all-in-one options for cord cutters, given its diverse set of streaming options. In addition to a strong library of classic shows, and a good selection of movies, Hulu offers a robust live TV option (more than 70 channels of news, sports, and entertainment programming). Still, Hulu trails some top competitors, given its lackluster original content and limited selection of 4K content. After adding 14 Viacom channels to its lineup, including BET, Comedy Central, MTV, Nickelodeon, Paramount Network, Hulu recently announced that NFL Network and NFL RedZone will be available on the platform before the next NFL season begins. It is unclear, however, these NFL-centric channels will increase the subscription cost.